CONTENTS: (from Tempo van de porcelana) These are the jewels; Angelo Partecipazio Abandons the Torment of Malamocco and Invites the People to Establish a Most Serene City; No; (from As últimas ruínas) The Endless Music; The Last Ruins; Wheel of Fortune; Shadows in the City; North; Music and Night; The Scorched Rose; (from Ollos de ámbar) Now that autumn; from Homage to Ezra Pound, IV; Kingdoms of Silence; Amber Eyes; Belonging; Steps; Snow in My Eyes; from Resolution and Independence, II; from Resolution and Independence, V; (from Fundaxes) Palimpsest; Places; Adriatic; Ash; (from Diario de Crosses Green) November; The Dark Place; Blue Music to the Fear; The Light of Day; The Voice; April; June; Coastal Train; Upriver; September; (from a ganancia e a perda) The Mirages; A Pure Warmth; Prayer; Goya’s Dog; After Reading ‘The Burning of the Leaves’; Nightmare; Just Like That; Álvaro Cunqueiro’s Lilies; Marine Cemetery; The Arrival; Yeast; The Gleam of Blood.

CONTENTS: Xavier Alcalá, Summer of '61; Fran Alonso, Shiny Elephants; Xosé Carlos Caneiro, Al Pacino Will Come Back, at Night; Ramón Caride Ogando, I As in Ibrahim; Xavier Carro, Carnival; Carlos Casares, The Summer Sun; Alfredo Conde, Those Days; Marino Dónega, From Me to You; Xosé Fernández Ferreiro, The Last Paradise; Víctor Freixanes, The City of the Emperors; Carlos Reigosa, A Report on Unease; Camilo Gonsar, The Ace up My Sleeve; Úrsula Heinze, You Are Not Going to Pay; Modesto Hermida, Tratitos of Valdelama; Inma López Silva, Monologue of the Old Rocker at Lunchtime; Basilio Losada, Princess of France; Marina Mayoral, Remember Me for Ever; Carlos Mella, The Death of the Werewolf; María Victoria Moreno, Anagnorisis; María do Camiño Noia, Red; David Otero, Watching the Wind; Cándido Pazó, Ñikiñaque; Xosé Ramón Pena, The Waterman;